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<channel>
	<title>Javiera Gomez</title>
	<link>https://javieragomez.com</link>
	<description>Javiera Gomez</description>
	<pubDate>Tue, 02 Jun 2026 21:35:13 +0000</pubDate>
	<generator>https://javieragomez.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Index</title>
				
		<link>https://javieragomez.com/Index-1</link>

		<pubDate>Wed, 31 Dec 2025 02:01:58 +0000</pubDate>

		<dc:creator>Javiera Gomez</dc:creator>

		<guid isPermaLink="true">https://javieragomez.com/Index-1</guid>

		<description>
	Javiera Gómez

	Sideral (2026)
Amanece (2026)
Carta Astral (2025)
Bellezas Artificiales (2025)
Amuleto: Battus Polydamas (2025)
Amuleto: Amor (2025)

Ménade (2025)
Waifu (2024)

Oráculos y desvíos (2024)
La más tierna venganza (2024)
Hombre de los signos (2024)
Destello a tierra (2023)
Las noches negras (2023)
Cómo ordenar el espacio (2022)
Poems of green clouds (2020)
Después del solsticio (2019)

	Info.
</description>
		
	</item>
		
		
	<item>
		<title>Sideral</title>
				
		<link>https://javieragomez.com/Sideral</link>

		<pubDate>Tue, 02 Jun 2026 21:35:13 +0000</pubDate>

		<dc:creator>Javiera Gomez</dc:creator>

		<guid isPermaLink="true">https://javieragomez.com/Sideral</guid>

		<description>
	Sideral,Sección Opening, Feria ARCO Lisboa, Cordoaria Nacional, Lisboa.28-31 de mayo, 2026
booth bipersonal junto a Noël Saavedra.


 “El cielo es un concepto altamente polisémico. Es una experiencia común, ya que independiente de las lecturas que podamos hacer de los astros o estrellas que lo habitan, todos vemos el mismo sol y nos cobija la misma noche. El cielo es una realidad global, así como el arte es una instancia de circulación planetaria. Venimos de un territorio reconocido mundialmente por tener los cielos más despejados que permiten la
observación del universo, algo de eso nos define también a nosotras.

Para esta instancia presentamos dos proyectos artísticos que reflexionan desde este gran marco que es el cielo. Javiera Gómez, en un límite entre lo objetual y lo escultórico, nos presenta una serie de piezas en cerámica y otra en metal que proponen un imaginario donde lo mágico se cruza con lo estelar. Aquí se da forma a varitas y seres que nos permiten conexiones extra-terrestres. Mientras que Noël Saavedra present “Ex – Caelo”, serie textil que combina la dimensión sensorial y atmosférica del cielo con los relato existentes en torno a los ángeles caídos.”. 


-Texto curatorial del projecto presentado en la feria.


Prensa:-“Desde Santiago a Lisboa: Espacio218 recibe el Premio Opening 2026” por Pía Romero en Galio.
-“ARCO Lisboa: dieci anni «dal contesto al mondo»” por Matteo Bergamini en 











Il Giornale Dell’arte.

_________________
(ENG)Sideral,
Opening Section, ARCO Lisboa Fair, Cordoaria Nacional, Lisboa.
May 28-31, 2026two-person booth with Noël Saavedra.


“The sky is a highly polysemic concept. It is a shared experience, since regardless of the interpretations we may make of the celestial bodies or stars that inhabit it, we all see the same sun and are sheltered by the same night. The sky is a global reality, just as art is a space of planetary circulation. We come from a territory internationally recognized for
having some of the clearest skies for observing the universe, and something of that also defines us.

For this event, we present two artistic projects that explore the vast expanse of the sky. Javiera Gómez, straddling the line between object art and sculpture, presents a series of ceramic pieces and another in metal that evoke an imaginary world where the magical intersects with the celestial. Here, wands and beings take shape, allowing us to make extraterrestrial connections. Meanwhile, Noël Saavedra presents “Ex – Caelo,” a textile series that combines the
sensory and atmospheric dimensions of the sky with existing narratives surrounding fallen angels.”
-Curatorial text written for the project presented in the fair.

	
	
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︎︎︎</description>
		
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	<item>
		<title>Amanece</title>
				
		<link>https://javieragomez.com/Amanece</link>

		<pubDate>Tue, 14 Apr 2026 17:14:24 +0000</pubDate>

		<dc:creator>Javiera Gomez</dc:creator>

		<guid isPermaLink="true">https://javieragomez.com/Amanece</guid>

		<description>
	Amanece,Galería Malva, Santiago.9-30 de abril 2026exposición bipersonal junto a Valentina Díaz.


 “Amanece de Javiera Gómez y Valentina Díaz es una muestra que explora el linde entre el día y la noche, fenómeno comúnmente asociado al dramatismo del ocaso, símbolo de los finales, pero que en este caso asume su contracara: la versión igualmente transitiva de la luz y la sombra que señala los comienzos y el origen secuencial de todas las cosas. A su vez, es una exposición que pone en evidencia otra frontera crucial para toda creación artística, el diálogo entre la materia plástica y el motivo que representa (...).

Las piezas que conforman la muestra evocan una dimensión ceremonial y contemplativa difícil de clasificar o racionalizar, vinculada eminentemente al acto creativo que las trae a la vida: no es la manifestación mítica que irradia la fe de un credo, sino algo más íntimo y transparente, el tiempo vital esculpido sobre la forma que toman los objetos, las imágenes moldeadas por el instinto y la fijación de dos artistas y su sentido de revelación, a través del acto de hacer presente lo que permanecía suspendido en algún lugar del subconsciente o de gravitaciones aún más desconocidas”. 


-Fragmento del texto escrito por Diego Maureira para la muestra.

*Leer texto completo.


_________________
(ENG)Daybreak,
Malva Gallery, Santiago de Chile.
April 9-30, 2026two-person exhibition with Valentina Díaz.


“Daybreak by Javiera Gómez and Valentina Díaz is an exhibition that explores the boundary between day and night, a phenomenon commonly associated with the drama of sunset—a symbol of endings—but which, in this case, takes on its opposite: the equally transient interplay of light and shadow that signifies beginnings and the sequential origin of all things. At the same time, it is an exhibition that highlights another crucial boundary for all artistic creation: the dialogue between the plastic material and the motif it represents (...).

The pieces that make up the exhibition evoke a ceremonial and contemplative dimension that is difficult to classify or rationalize, linked eminently to the creative act that brings them to life: it is not the mythical manifestation that radiates the faith of a creed, but something more intimate and transparent—the vital time sculpted into the form taken by the objects, the images shaped by the instinct and fixation of two artists and their sense of revelation, through the act of bringing to the present what remained suspended somewhere in the subconscious or in even more unknown realms.”
-Excerpt from the text written by Diego Maureira for the exhibition.

	
	
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︎︎︎</description>
		
	</item>
		
		
	<item>
		<title>Carta Astral </title>
				
		<link>https://javieragomez.com/Carta-Astral</link>

		<pubDate>Mon, 09 Feb 2026 01:39:53 +0000</pubDate>

		<dc:creator>Javiera Gomez</dc:creator>

		<guid isPermaLink="true">https://javieragomez.com/Carta-Astral</guid>

		<description>
	Carta AstralPapel cerámico pigmentado, circones, metal, resina.
33x15x15 cm
2025



El intenso terror de perder la identidadcuratoría de Nicole GómezCasa Portugal, Santiago de Chile.20 de novimebre-17 de diciembre 2025
A partir de una reflexión sobre el retrato, se realiza una pieza que traduce la gráfica correspondiente a mi carta astral a una pieza tridimensional. En ella se interactúan diferentes materiales que representan cada uno de los 8 planetas del sistema solar, el sol y la luna, y su disposición en el espacio.&#38;nbsp;




_________________(ENG)
Natal Chart
Pigmented paper clay, zirconia, metal, resin.
33x15x15 cm
2025

The intense fear of losing one's identity
curatorial work by Nicole Gómez
Casa Portugal, Santiago, Chile.
November 20 - December 17, 2025


Starting with a reflection on portraits, this piece translates the chart corresponding to my astrological map into a three-dimensional piece. In it, different materials interact to represent each of the 8 planets of the solar system, the sun and the moon, and their disposition in space.
Registro: Cristian Arriagada
	



	&#60;img width="3176" height="4764" width_o="3176" height_o="4764" data-src="https://freight.cargo.site/t/original/i/ee758dd3dfecf48ce482a4974d9b6d4b01e05f022f16472b3936e2cc4cbd44bc/Carta-Astral.jpg" data-mid="244609742" border="0"  src="https://freight.cargo.site/w/1000/i/ee758dd3dfecf48ce482a4974d9b6d4b01e05f022f16472b3936e2cc4cbd44bc/Carta-Astral.jpg" /&#62;

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︎︎︎</description>
		
	</item>
		
		
	<item>
		<title>Bellezas Artificiales (2025)</title>
				
		<link>https://javieragomez.com/Bellezas-Artificiales-2025</link>

		<pubDate>Wed, 26 Nov 2025 02:17:32 +0000</pubDate>

		<dc:creator>Javiera Gomez</dc:creator>

		<guid isPermaLink="true">https://javieragomez.com/Bellezas-Artificiales-2025</guid>

		<description>
	










Bellezas ArtificialesSerie de 15 pinturasAcuarela sobre papel de algodón Montval 300gr.
38x55 cm
2025



Activación en Satélite218, Santiago de Chile.30 de noviembre 2025

Serie de pinturas que reflexiona sobre la idea de la belleza y la artificialidad, así como la construcción de ésta, a partir del estudio de diferentes representaciones de figuras antropomorfas y femeninas que son parte de la cultura popular. Imágenes de vírgenes, muñecas, cantantes y modelos que son extraídas de distintas plataformas digitales permiten visualizar los cuerpos artificiales en los que se basan distintos cánones de belleza y expectativa corporal que luego el cuerpo humano, conscientemente o no, busca emular.



_________________(ENG)
Artificial BeautiesSeries of 15 paintingsWatercolor on 300 gsm Montval cotton paper38 × 55 cm2025

Activation at Satélite218, Santiago de Chile. November 30, 2025


A series of paintings that reflects on the idea of beauty and artificiality—as well as their construction—through the study of different representations of anthropomorphic and feminine figures drawn from popular culture. Images of virgins, dolls, singers, and models sourced from various digital platforms make it possible to observe the artificial bodies that inform different beauty standards and bodily expectations, which the human body then consciously or unconsciously seeks to emulate.Registro: Pia Bahamondes

	



	
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&#60;img width="2144" height="3165" width_o="2144" height_o="3165" data-src="https://freight.cargo.site/t/original/i/405e2abc41df834c2340e7f6552926c4c306f61e9b82e8b022494f9696be0acb/2.JPG" data-mid="241098930" border="0"  src="https://freight.cargo.site/w/1000/i/405e2abc41df834c2340e7f6552926c4c306f61e9b82e8b022494f9696be0acb/2.JPG" /&#62;
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&#60;img width="2389" height="3486" width_o="2389" height_o="3486" data-src="https://freight.cargo.site/t/original/i/590e7e182bb6afff6756368afb85198f6cb74f0b120366896c744f02b4176959/4.JPG" data-mid="241098932" border="0"  src="https://freight.cargo.site/w/1000/i/590e7e182bb6afff6756368afb85198f6cb74f0b120366896c744f02b4176959/4.JPG" /&#62;
&#60;img width="1725" height="2559" width_o="1725" height_o="2559" data-src="https://freight.cargo.site/t/original/i/1a8db01751e8b28054904e5519230c15406a274999263c220347a02ab979db43/6.JPG" data-mid="241098934" border="0"  src="https://freight.cargo.site/w/1000/i/1a8db01751e8b28054904e5519230c15406a274999263c220347a02ab979db43/6.JPG" /&#62;
&#60;img width="2755" height="1990" width_o="2755" height_o="1990" data-src="https://freight.cargo.site/t/original/i/af4d005152134685af0034c3afce9bd83f6a51808a7f320f1024a79bab59820e/10.JPG" data-mid="241098938" border="0"  src="https://freight.cargo.site/w/1000/i/af4d005152134685af0034c3afce9bd83f6a51808a7f320f1024a79bab59820e/10.JPG" /&#62;
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&#60;img width="2441" height="3624" width_o="2441" height_o="3624" data-src="https://freight.cargo.site/t/original/i/c14faf6e1c09ec32849baf90612114f013e3edbe418286ca5370a04e7b56b360/7.JPG" data-mid="241098935" border="0"  src="https://freight.cargo.site/w/1000/i/c14faf6e1c09ec32849baf90612114f013e3edbe418286ca5370a04e7b56b360/7.JPG" /&#62;
&#60;img width="1882" height="2782" width_o="1882" height_o="2782" data-src="https://freight.cargo.site/t/original/i/2c6ae71b6e640b028d435c1f2ffd98c17f4d9c81bff46bedf0196b743f7d2de8/8.JPG" data-mid="241098936" border="0"  src="https://freight.cargo.site/w/1000/i/2c6ae71b6e640b028d435c1f2ffd98c17f4d9c81bff46bedf0196b743f7d2de8/8.JPG" /&#62;
&#60;img width="2314" height="3417" width_o="2314" height_o="3417" data-src="https://freight.cargo.site/t/original/i/366be9521c7cff657739909119b19691e282320a24916665fa18190380c395b8/11.JPG" data-mid="241098939" border="0"  src="https://freight.cargo.site/w/1000/i/366be9521c7cff657739909119b19691e282320a24916665fa18190380c395b8/11.JPG" /&#62;
&#60;img width="1507" height="2030" width_o="1507" height_o="2030" data-src="https://freight.cargo.site/t/original/i/6d76994a91c9a0d33012deeeb8bdb9c237af0af61f1924c9753780629059c297/13.JPG" data-mid="241098941" border="0"  src="https://freight.cargo.site/w/1000/i/6d76994a91c9a0d33012deeeb8bdb9c237af0af61f1924c9753780629059c297/13.JPG" /&#62;
&#60;img width="2292" height="3355" width_o="2292" height_o="3355" data-src="https://freight.cargo.site/t/original/i/4704bcd3a9a8057fb53b8dcbb41965bf2ae6f03acac80965867c4c7acaa71e9d/15.JPG" data-mid="241098944" border="0"  src="https://freight.cargo.site/w/1000/i/4704bcd3a9a8057fb53b8dcbb41965bf2ae6f03acac80965867c4c7acaa71e9d/15.JPG" /&#62;
&#60;img width="1979" height="2911" width_o="1979" height_o="2911" data-src="https://freight.cargo.site/t/original/i/5822f9d5791a32b690339ade88c26f84b40cf1cd915b8d41dfed8df7995f134a/12.JPG" data-mid="241098940" border="0"  src="https://freight.cargo.site/w/1000/i/5822f9d5791a32b690339ade88c26f84b40cf1cd915b8d41dfed8df7995f134a/12.JPG" /&#62;
&#60;img width="2323" height="3479" width_o="2323" height_o="3479" data-src="https://freight.cargo.site/t/original/i/d18cb8f090bbb1cb21e8fcb6700c2cb1c2cdbd6c145cc35515135b4b7d8213a3/14.JPG" data-mid="241098942" border="0"  src="https://freight.cargo.site/w/1000/i/d18cb8f090bbb1cb21e8fcb6700c2cb1c2cdbd6c145cc35515135b4b7d8213a3/14.JPG" /&#62;

&#60;img width="5818" height="3884" width_o="5818" height_o="3884" data-src="https://freight.cargo.site/t/original/i/f977e3ab4a06405111b7e11b01b35f75f79cccd6145ffbee2cfdb9d725215c97/1copia.jpg" data-mid="241098994" border="0"  src="https://freight.cargo.site/w/1000/i/f977e3ab4a06405111b7e11b01b35f75f79cccd6145ffbee2cfdb9d725215c97/1copia.jpg" /&#62;
&#60;img width="5818" height="3884" width_o="5818" height_o="3884" data-src="https://freight.cargo.site/t/original/i/57564f7a99f7fcecc33089adc1fba20fbda4cbfb82edacdf08c5fedbbad41339/2copia.jpg" data-mid="241099016" border="0"  src="https://freight.cargo.site/w/1000/i/57564f7a99f7fcecc33089adc1fba20fbda4cbfb82edacdf08c5fedbbad41339/2copia.jpg" /&#62;


︎︎︎</description>
		
	</item>
		
		
	<item>
		<title>Amuleto: Battus Polydamas</title>
				
		<link>https://javieragomez.com/Amuleto-Battus-Polydamas</link>

		<pubDate>Tue, 18 Nov 2025 01:15:20 +0000</pubDate>

		<dc:creator>Javiera Gomez</dc:creator>

		<guid isPermaLink="true">https://javieragomez.com/Amuleto-Battus-Polydamas</guid>

		<description>
	Amuleto: Battus Polydamas Psittacus











Fierro, MDF, tela de algodón,óleo, acrílico, tinta, almidón, cola, argollas de acero, cáncamo, algodón trenzado y tinte sintético.











31 x 88 x 156 cm2025




Islas de luz flotan sobre el pasto,curatoría de Paola Nava
Galería Cripta, Santiago de Chile.23 de octubre-20 de noviembre 2025
Si en 2025 los charms se han vuelto signos visibles de identidad y afecto, esta obra retoma la función simbólica del amuleto para colectivizarla. Inspirada en la Battus polydamas psittacus, mariposa endémica que convierte la toxicidad de su alimento en coraza química, la pieza amplifica este lepidóptero como un colgante-amuleto sobredimensionado. Así, transforma la experiencia íntima de protección y autodefinición en un objeto compartido, capaz de resonar con quienes identifican en su trayectoria biológica una metáfora de resistencia, transformación y pertenencia.




_________________(ENG)Amulet: Battus Polydamas PsittacusIron, MDF, cotton fabric, oil, acrylic, ink, starch, glue, steel rings, screw eye, braided cotton, and synthetic dye.2025
If in 2025 charms have become visible signs of identity and affection, this work takes up the symbolic function of the amulet and renders it collective. Inspired by the Battus polydamas psittacus, an endemic butterfly that turns the toxicity of its food into a chemical shield, the piece magnifies this lepidopteran into an oversized pendant-amulet. In doing so, it transforms the intimate experience of protection and self-definition into a shared object, capable of resonating with those who recognize in its biological trajectory a metaphor for resistance, transformation, and belonging.


	
	&#60;img width="3039" height="4216" width_o="3039" height_o="4216" data-src="https://freight.cargo.site/t/original/i/d41c433d9216da5bacd37ec9c9b23a3a1b6bc9cf49d1c1dc29b4216fe2569f63/Mariposa-218.jpeg" data-mid="240763787" border="0"  src="https://freight.cargo.site/w/1000/i/d41c433d9216da5bacd37ec9c9b23a3a1b6bc9cf49d1c1dc29b4216fe2569f63/Mariposa-218.jpeg" /&#62;

&#60;img width="4708" height="7062" width_o="4708" height_o="7062" data-src="https://freight.cargo.site/t/original/i/87d82dd1201339130e786a74be31cdaad7a3f18cbce2dc9a9c93c6a8057777c9/DSCF0923.jpeg" data-mid="240763783" border="0"  src="https://freight.cargo.site/w/1000/i/87d82dd1201339130e786a74be31cdaad7a3f18cbce2dc9a9c93c6a8057777c9/DSCF0923.jpeg" /&#62;
&#60;img width="7728" height="5152" width_o="7728" height_o="5152" data-src="https://freight.cargo.site/t/original/i/13ad004b491687cbc4e33868126d23a9bb33418d4c5c4145a594636a74a04671/DSCF0896.JPEG" data-mid="240816883" border="0"  src="https://freight.cargo.site/w/1000/i/13ad004b491687cbc4e33868126d23a9bb33418d4c5c4145a594636a74a04671/DSCF0896.JPEG" /&#62;

&#60;img width="4671" height="7007" width_o="4671" height_o="7007" data-src="https://freight.cargo.site/t/original/i/8004381f7eae0cc2c0f531203a6eaed513d132b2be9f550fc32497cfbc924b5c/DSCF0352.jpeg" data-mid="240763782" border="0"  src="https://freight.cargo.site/w/1000/i/8004381f7eae0cc2c0f531203a6eaed513d132b2be9f550fc32497cfbc924b5c/DSCF0352.jpeg" /&#62;

&#60;img width="7324" height="4882" width_o="7324" height_o="4882" data-src="https://freight.cargo.site/t/original/i/1378face9b15b85f7de715d8e0fc3bcc435c49479b5d59ba21bb0c2f9c31fd9d/DSCF0914.jpeg" data-mid="240763784" border="0"  src="https://freight.cargo.site/w/1000/i/1378face9b15b85f7de715d8e0fc3bcc435c49479b5d59ba21bb0c2f9c31fd9d/DSCF0914.jpeg" /&#62;

︎︎︎</description>
		
	</item>
		
		
	<item>
		<title>Amuleto: Amor</title>
				
		<link>https://javieragomez.com/Amuleto-Amor</link>

		<pubDate>Wed, 23 Apr 2025 01:11:30 +0000</pubDate>

		<dc:creator>Javiera Gomez</dc:creator>

		<guid isPermaLink="true">https://javieragomez.com/Amuleto-Amor</guid>

		<description>
	Amuleto: Amor











Cera tallada a mano sobre mármol, metal,

barniz vegetal, madera
42,5 x 40 x 30 cm
2025




Feria Ch.ACo, vía Galería AnimitaCentro GAM, Santiago de Chile.26-30 de marzo 2025

“(...) como si la artista hubiese decidido llamar a las energías con todas sus fuerzas y guardarlas en contenedores colosales, lo que es inusual y especial, porque históricamente los amuletos han sido siempre objetos que pueden llevarse en el bolsillo, como piedras preciosas o monedas.


El amuleto de la primera foto, ese óvalo que parece un dije antiguo, está hecho de mármol y cera y la artista me dijo que la mariposa que está posada sobre ella, esculpida en un gestito coqueto, como apunto de escapar, simboliza o quiere atraer la renovación, pero yo no dejo de pensar en las contraposiciones: la más obvia es esa mariposita, símbolo de lo efímero, sobre el mármol, que es eterno, pero también está el hecho de que estoy ante un ejemplar de uno de los objetos más antiguos del mundo, un amuleto, hecho a escala gigante, con la textura y el color de un chicle, y sobre él se encuentra tallada una mariposita, no solo símbolo de lo efímero, sino también de la aesthetic girlie y2k”.

-Fragmento de reseña por Constanza Gutiérrez.




_________________(ENG)Amulet: Love
Hand carved wax on marble, metal,
natural varnish, wood
42.5 x 40 x 30 cm
2025
"(...) as if the artist had decided to call upon the energies with all her strength and store them in colossal containers, which is unusual and special, because historically amulets have always been objects that can be carried in the pocket, like precious stones or coins.

The amulet in the first photo, that oval that looks like an antique charm, is made of marble and wax and the artist told me that the butterfly that is laying on it, sculpted in a flirtatious gesture, as if about to escape, symbolizes or wants to attract renewal, but I can't stop thinking about the counterpositions: the most obvious is that little butterfly, symbol of the ephemeral, over the marble, which is eternal, but there is also the fact that I am in front of a copy of one of the oldest objects in the world, an amulet, made on a giant scale, with the texture and color of a chewing gum, and on it is carved a little butterfly, not only symbol of the ephemeral, but also of the aesthetic girlie y2k."

-Fragment of review by Constanza Gutiérrez.
Registro: Pia Bahamondes


	
	&#60;img width="4136" height="5171" width_o="4136" height_o="5171" data-src="https://freight.cargo.site/t/original/i/c6ecb23f2993f7d7af2e8acdea181143680a0dee848ddf08988eb6e5855bc0ae/1.jpg" data-mid="230552718" border="0"  src="https://freight.cargo.site/w/1000/i/c6ecb23f2993f7d7af2e8acdea181143680a0dee848ddf08988eb6e5855bc0ae/1.jpg" /&#62;

&#60;img width="3616" height="4520" width_o="3616" height_o="4520" data-src="https://freight.cargo.site/t/original/i/51e7ad6069fd70c3d93297eea93f6177cf0c9ff7299e953fe647c6437bf262bc/2.jpg" data-mid="230552719" border="0"  src="https://freight.cargo.site/w/1000/i/51e7ad6069fd70c3d93297eea93f6177cf0c9ff7299e953fe647c6437bf262bc/2.jpg" /&#62;


︎︎︎</description>
		
	</item>
		
		
	<item>
		<title>Ménade</title>
				
		<link>https://javieragomez.com/Menade</link>

		<pubDate>Wed, 23 Apr 2025 01:29:22 +0000</pubDate>

		<dc:creator>Javiera Gomez</dc:creator>

		<guid isPermaLink="true">https://javieragomez.com/Menade</guid>

		<description>
	Ménade






















Óleo, acrílico, tinta acrílica sobre visillo,
cordón de algodón.
200 x 300 cm
2025




“Con agregados”, exposición colectivaEl Parrón, Santiago de Chile.6 de abril 2025

Las ménades fueron las ninfas encargadas de criar a Dionisio (conocido como Baco por los romanos), el dios del vino, la locura y la juerga. Además de criarlo, fueron también las primeras en ser poseídas por él y entregarse a sus rituales, en los que se bailaba, tomaba, comía y se entregaba al placer. Han sido representadas históricamente como figuras en movimiento, que portan coronas con hojas de vid, tirsos, pieles y acompañadas de animalitos pequeños que solían ser sacrificados como parte de las ceremonias.


Aquí, se muestra a una ménade en la vitrina del local haciendo un guiño a su nombre, El Parrón. Bajo la parra, representativa de Dionisio, la cortina inaugura un espacio que congrega ménades y humanos que buscan entregarse al encanto dionisiaco. 







_________________(ENG)Maenad
Oil, acrylic, acrylic ink on net curtain,
cotton cord.
200x300 cm
2025

The maenads were the nymphs in charge of raising Dionysus (known as Bacchus by the Romans), the god of wine, madness and revelry. Besides raising him, they were also the first to be possessed by him and to indulge in his rituals, in which they danced, drank, ate and indulged in pleasure. They have been historically represented as moving figures, wearing crowns with vine leaves, thyrsus, skins and accompanied by small animals that used to be sacrificed as part of the ceremonies.

Here, a maenad is shown in the showcase of the shop, a nod to its name, El Parrón. Under the vine, representative of Dionysus, the curtain inaugurates a space that congregates maenads and humans seeking to surrender to the Dionysian charm.


	
	&#60;img width="6240" height="3512" width_o="6240" height_o="3512" data-src="https://freight.cargo.site/t/original/i/2cd9e6485113aa4a5549cd8f8d67b12964e9065ecdb0a9f63419db7147d797f0/DSCF3199.JPG" data-mid="230552888" border="0"  src="https://freight.cargo.site/w/1000/i/2cd9e6485113aa4a5549cd8f8d67b12964e9065ecdb0a9f63419db7147d797f0/DSCF3199.JPG" /&#62;

&#60;img width="6240" height="3512" width_o="6240" height_o="3512" data-src="https://freight.cargo.site/t/original/i/c0ee0c294440d4051840f9cf02ffce067087931cebd2a894793a9033c691c57b/DSCF3317.JPG" data-mid="230552885" border="0"  src="https://freight.cargo.site/w/1000/i/c0ee0c294440d4051840f9cf02ffce067087931cebd2a894793a9033c691c57b/DSCF3317.JPG" /&#62;
&#60;img width="6240" height="3512" width_o="6240" height_o="3512" data-src="https://freight.cargo.site/t/original/i/a0f5152e9be654fad4f7098100e927900a39cd5b36d0f4eb75d734d0846e3199/DSCF3324.JPG" data-mid="230552886" border="0"  src="https://freight.cargo.site/w/1000/i/a0f5152e9be654fad4f7098100e927900a39cd5b36d0f4eb75d734d0846e3199/DSCF3324.JPG" /&#62;


︎︎︎</description>
		
	</item>
		
		
	<item>
		<title>Waifu</title>
				
		<link>https://javieragomez.com/Waifu</link>

		<pubDate>Wed, 09 Oct 2024 21:19:44 +0000</pubDate>

		<dc:creator>Javiera Gomez</dc:creator>

		<guid isPermaLink="true">https://javieragomez.com/Waifu</guid>

		<description>
	La suma sacerdotisa (Ram);
La luna (Rem);
La emperatriz (Sonico);Distintas dimensiones.Aluminio fundido.2024
Feria Aparte, vía DOLORESFactoría Franklin, Santiago de Chile.04-06 de octubre 2024
La suma sacerdotisa (Ram); La luna (Rem); La emperatriz (Kitamura); son una serie de candelabros serializados, realizados en aluminio fundido, que deriva de la investigación realizada en Espacio 218, durante la residencia realizada bajo el proyecto “Oráculos y desvíos”.&#38;nbsp;Una de las aristas de esta investigación implicaba el análisis del universo material de la calle San Antonio, donde se transaccionan diferentes tipos de artefactos esotéricos. De entre ellos, los que llamaron particularmente mi atención, fueron los candelabros e incensarios con formas antropomorfas de deidades de diferentes religiones pues se convierten en receptores de deseos emocionales y espirituales de quienes las veneran. De la misma forma, las waifus -figuras de peronsajes de series de animé- con sus diferentes características físicas y personalidades, se vuelven objetos de adoración a las que prenderle velas, adquiriendo la capacidad de canalizar los deseos y proyecciones de sus shipper.
_________________(ENG)The High Priestess (Ram);The Moon (Rem);The Empress (Kitamura);Various dimensions.Cast aluminum.2024
The High Priestess (Ram); The Moon (Rem); The Empress (Kitamura)&#38;nbsp;are a series of serialized candleholders, made from cast aluminum, which stem from the research conducted at Espacio 218 during the "Oracles and Detours" exhibition and residency. For Feria Aparte, an edition of 2 copies of each candleholder is produced.

One of the key aspects of this research involved analyzing the material universe of San Antonio Street, where various types of esoteric artifacts are traded. Among them, those that particularly caught my attention were the anthropomorphic candleholders and incense burners shaped like deities from different religions, which become vessels for the emotional and spiritual wishes of those who venerate them. Similarly, waifus, with their diverse physical traits and personalities, transform into objects of worship, where candles are lit in their honor, acquiring the power to channel the desires and projections of their shippers.


	
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︎︎︎</description>
		
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	<item>
		<title>Oráculos y desvíos</title>
				
		<link>https://javieragomez.com/Oraculos-y-desvios</link>

		<pubDate>Tue, 13 Aug 2024 23:17:28 +0000</pubDate>

		<dc:creator>Javiera Gomez</dc:creator>

		<guid isPermaLink="true">https://javieragomez.com/Oraculos-y-desvios</guid>

		<description>
	Oráculos y desvíos,
Espacio 218, Santiago.20 de julio - 10 de agosto 2024

︎ Performance: “8 de oros”, 1 de agosto 2024

 “Mediante videos que comparten las experiencias vividas en estas últimas semanas y objetos construidos a partir de elementos propios del misticismo, tales como mazos de cartas del tarot, velas, gemas, inciensos, sahumerios, descargas energéticas o figuras de divinidades, la artista exhibe un nuevo imaginario que está atravesado por su propuesta de obra.
Javiera sintetiza visualmente lo que cada lectura le entregó para comprender su residencia. Conceptos como “colaboración”, “abundancia”, “expansión” nos permiten pensar en las características positivas que las lecturas le entregaron, mientras que “inseguridad”, “ansiedad”, “dispersión” muestran otra arista de las complejidades que tiene adentrarse en el futuro”.&#38;nbsp;


-Texto en sala por Seba Calfuqueo y Mariairis Flores.

Prensa:
-“Las artes esotéricas son trabajo” por Drago Yurac en Artishock.
-Nota en Radio Biobio por María Graciela López.
_________________
(ENG)Oracles and Detours,Espacio 218, Santiago de Chile.
July 20 - August 10, 2024

“Through videos that share the experiences lived in recent weeks and objects constructed from elements of mysticism, such as tarot card decks, candles, gems, incense, smudging tools, energy releases, or figures of deities, the artist presents a new imagery that is interwoven with her artistic proposal.Javiera visually synthesizes what each reading has provided to understand her residency. Concepts like ‘collaboration,’ ‘abundance,’ and ‘expansion’ allow us to reflect on the positive characteristics that the readings offered her, while ‘insecurity,’ ‘anxiety,’ and ‘dispersal’ reveal another facet of the complexities involved in delving into the future.”
-Text by Seba Calfuqueo and Mariairis Flores.

	
	
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︎︎︎</description>
		
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